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Ediciones modernas
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- Brome, Richard The Antipodes. In: Cave, Richard, ed. Richard Brome Online. 2010.
- Kastan, David Scott ; Proudfoot, Richard, ed. The Antipodes. Brome, Richard. London2000. Globe Quartos.
- Parr, Anthony, ed. Three Renaissance Travel Plays. Manchester: Manchester University Press, 1997. The Revels Plays.
- Haaker, Ann, ed. The Antipodes. Brome, Richard. London: Edward Arnold, 1967. Regents Renaissance Drama.
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Bibliografía selecta
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Estudios críticos:- Estathiou-Lavabre, Athéna. "Advising the Actors in 'Hamlet' and 'The Antipodes' : Richard Brome, Shakespeare's Contemporary?". Actes des Congrès de la Société Française Shakespeare. In special issue, 20, p. 103-123.
- Lebek, Karolina. "Reclaiming Wonder: Richard Brome's 'The Antipodes' and the Production of Comic Catharsis". Ed. Boryslawski, Rafal; Jajszczok, Justyna; Wolff, Jakub; Bemben, Alicja. Histories of Laughter and Laughter in History: HistoRisus. Newcastle upon Tyne: Cambridge Scholars, 2016, p. 155-172.
- Ramalhete Gomes, Miguel. "Intended for the Stage: Performance Criticism in Richard Brome's 'The Antipodes'". SEDERI: Yearbook of the Spanish and Portuguese Society for English Renaissance Studies. 2014, 24, p. 157-169.
- Myhill, Nova. "Wanton Females of All Sorts': Spectatorship in 'The Antipodes'". Early Theatre: A Journal Associated with the Records of Early English Drama. 2013, vol. 2, 16, p. 121-142.
- McInnis, David. "Therapeutic Travel in Richard Brome's 'The Antipodes'". SEL: Studies in English Literature, 1500-1900. 2012, vol. 2, 52, p. 447-469.
- McEvilla, Joshua J. "The Original Salisbury Court Players of Richard Brome's 'The Antipodes'". Notes and Queries. 2012, vol. 2, 59 (257), p. 168-171.
- Jowitt, Claire. "The Politics of Mandevillian Monsters in Richard Brome's 'The Antipodes'". Ed. Niayesh, Ladan. A Knight's Legacy: Mandeville and Mandevillian Lore in Early Modern England. Manchester: Manchester University Press, 2011, p. 195-212.
- Eleanor Collins. "Richard Brome’s Contract and the Relationship of Dramatist to Company in the Early Modern Period". Early Theatre. 2007, 10, p. 116-128.
- Taylor, Miles. "The Permeable World: Travel and Carnival in 'The Antipodes'". Exemplaria: A Journal of Theory in Medieval and Renaissance Studies. 2007, vol. 3, 19, p. 438-54.
- Birkett, Audrey. "Actors, Audiences and Authors: The Competition for Control in Brome's 'The Antipodes'". Ed. Orford, Peter; Jones, Michael P.; Ketterer, Lizz; McEvillia, Joshua. "Divining Thoughts": Future Directions in Shakespeare Studies. Newcastle upon Tyne: Cambridge Scholars, 2007, p. 53-68.
- Kettnich, Karen. "'Now Mark That Fellow; He Speaks Extempore': Scripted Improvisation in 'The Antipodes'". Early Theatre: A Journal Associated with the Records of Early English Drama. 2007, vol. 2, 10, p. 129-139.
- Chiang, Hsiao-chen. "The Metadramatic Inner Play in Richard Brome's 'The Antipodes'". Sun Yat-sen Journal of Humanities. 2004, 19, p. 57-69.
- Chiang, Hsiao-chen. "The Trope of an Upside Down World: Carnival and Menippean Satire in Richard Brome's 'The Antipodes'". Concentric: Literary and Cultural Studies. 2004, vol. 2, 30, p. 55-72.
- Efstathiou-Lavabre, Athéna. "Le Théâtre dans le théâtre: Permanence d'une structure baroque dans 'The Antipodes' (1638) de Richard Brome". Bulletin de la Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe Siècles. 2002, 54, p. 27-43.
- Sanders, Julie. "The Politics of Escapism: Fantasies of Travel and Power in Richard Brome's 'The Antipodes' and Ben Jonson's The Alchemist". Ed. Sullivan, Ceri (ed. and introd.), White, Barbara. Writing and Fantasy. New York: Longman, 1999, p. 137-150.
- Appelbaum, Robert. "The imaginary imaginary voyage: Richard Brome's 'The Antipodes'". Ed. Baccolini, Raffaella. Viaggi in utopia. Ravenna. {Falta nombre ciudad}: Longo, 1996, p. 143-51.
- Ann Haaker. "The Plague, The Theatre, and the Poet". Renaissance Drama. 1968, 1, p. 283-306.
Traducciones:- FR:
- Brome, Richard. "Les Antipodes". Tra. Bitot, Michel. Ed. Cottegnies,Line; Laroque,François; Maguin, Jean-Marie. Théâtre élisabéthain. Paris: Gallimard, 2009. Vol. 2.
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