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Testimonios
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- A Most pleasant Comedie of Mucedorus the kings sonne of Valentia and Amadine the Kings daughter of Arragon, with the merie conceites of Mouse. . . London. Jones, William (2). 1598. 4º. First of 18 quartos..
- A Most pleasant Comedie of Mucedorus the Kings sonne of Valentia, and Amadine the Kinges daughter of Arragon, with the merrie conceites of Mouse.. . London. Jones, William (2). 1606. 4º. Second of 18 quartos.
- A Most pleasant Comedie of Mucedorus the Kings sonne of Valentia, and Amadine the Kinges daughter of Aragon. With the merry conceites of Mouse. Amplified with new additions. . London. Jones, William (2). 1610. 4º. Third of 18 quartos. Three new scenes added, and endings of last two scenes revised..
- A Most pleasant Comedie of Mucedorus the Kings sonne of Valencia, and Amadine the Kinges daughter of Aragon. With the merry conceites of Mouse. Amplified with new additions. . London. Jones, William (2). 1611. 4º. Fourth of 18 quartos..
- A Most pleasant Comedie of Mucedorus the Kings Sonne of Valencia, and Amadine the Kings daughter of Aragon. With the merry conceits of Mouse. Amplified with new additions. . London. Jones, William (2). 1613. 4º. Fifth of 18 quartos. “Greg calls this edition a quarto-form octavo [(4°-form) 8°], but it is better described as a large-paper quarto; see G.T. Tanselle, "The Concept of Format," Studies in Bibliography 53 (2000): 67-115.” (Farmer and Lesser, 262).
- A Most pleasant Comedie of Mucedorus the Kings Sonne of Valencia, and Amadine the Kings Daughter of Aragon. With the merry conceits of Mouse. Amplified with new Additions. . London. Jones, William (2). 1615. 4º. Sixth of 18 quartos. “Greg calls this edition a quarto-form octavo [(4°-form) 8°], but it is better described as a large-paper quarto; see G.T. Tanselle, "The Concept of Format," Studies in Bibliography 53 (2000): 67-115.” (Farmer and Lesser, 263)..
- . [Mucedorus]. . Jones, William (2) (?); Wright, John (1) (?). 1615 - 1618. 4º. Seventh of 18 quartos. No title page. It survices in five leaves only. [ 1615 - 1618 ] .
- A Most Pleasant Comedie of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. With the merry conceits of Mouse. Amplified with new Additions. [Mucedorus]. . London. Wright, John (1). 1618. 4º. Eighth of 18 quartos..
- A Most Pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. With the merry conceits of Mouse. Amplified with new Additions. [Mucedorus]. . London. Wright, John (1). 1619. 4º. Ninth of 18 quartos..
- A Most Pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. With the merry conceits of Mouse. Amplified with new Additions. [Mucedorus]. . London. Wright, John (1). 1621. 4º. Tenth of 18 quartos..
- A Most pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. With the merry conceits of Mouse. Amplified with new Additions. [Mucedorus]. . London. Wright, John (1). 1626. 4º. Eleventh of 18 quartos..
- . [Mucedorus]. . London. Wright, John (1). 1629 ?. 4º. Twelfth of 18 quartos. No title page. [ 1629 ?].
- A Most pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. With the merrie conceits of Mouse. Amplified with new Additions. [Mucedorus]. . London. Wright, John (1). 1631. 4º. Thirteenth of 18 quartos..
- A Most pleasant Comedy of Mucedorus The Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. With the merrie conceits of Mouse. Amplified with new Additions. [Mucedorus]. . London. Wright, John (1). 1634. 4º. Fourteenth of 18 quartos. “Greg calls this edition a quarto and quarto-form octavo [4° and (4°-form) 8°], but it is better described as a quarto printed on sheets of two different sizes; see G.T. Tanselle, "The Concept of Format," Studies in Bibliography 53 (2000): 67-115.” (Farmer and Lesser, 271)..
- A Most pleasant Comedy of Mucedorus the Kings Sonne of Valentia, and Amadine the Kings Daughter of Aragon. With the merry conceits of Mouse. Amplified with new Additions. [Mucedorus]. . London. Wright, John (1). 1639. 4º. Fifteenth of 18 quartos..
- A Most pleasant Comedy of Mucedorus the Kings Son of Valentia, and Amadine the Kings Daughter of Aragon. With the merry conceits of Mouse. Amplified with new Additions. [Mucedorus]. . London. Coles, Francis. 1656 ?. 4º. Sixteenth of 18 quartos. [ c. 1656 ?].
- A most pleasant comedy of Mucedorus the King’s son of Valentia, and Amadine the King’s daughter of Aragon with the merry conceits of Mouse : amplifyed with new additions. [Mucedorus]. . London. Coles, Francis. 1663. 4º. Seventeenth of 18 quartos..
- A most pleasant comedy of Mucedorus the kings son of Valentia, and Amadine the kings daughter of Aragon. With the merry conceits of Mouse. Amplified with new additions. . London. Coles, Francis. 1668. 4º. Eighteenth of 18 quartos..
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Bibliografía selecta
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Estudios críticos:- Craig, Huge. "Shakespeare and Three Sets of Additions". Ed. Taylor, Gary, Gabriel Egan, John Jowett and Terri Bourus. The New Oxford Shakespeare: Authorship Companion. {Falta nombre ciudad}: Oxford University Press, 2017, p. 241-245.
- Segall, Kreg. "Mucedorus and Counsel from Q1 to Q3". Connotations: A Journal for Critical Debate. 2014, vol. 1, 24, p. 63-87.
- Kirwan, Peter. "Mucedorus". Ed. Kesson, Andy and Emma Smith. The Elizabethan Top Ten: Defining Print Popularity in Early Modern England. {Falta nombre ciudad}: Ashgate, 2013, p. 223-234.
- {Falta autor artículo revista}. "The First Collected 'Shakespeare Apocrypha'". Shakespeare Quarterly. 2011, vol. 4, 62, p. 594-601.
- Drábek, Pavel. "Shakespeare's Influence on Mucedorus". Ed. Drábek, Pavel, Klára Kolinská, Matthew Nicholls and John Russell Brown. Shakespeare and His Collaborators Over the Centuries. {Falta nombre ciudad}: Cambridge Scholars, 2008, p. 45-53.
- Rooney, Tom. "Who 'Plaid' the Bear in Mucedorus?". Notes and Queries. 2007, vol. 3, 54, p. 259-262.
- Hyland, Peter. "Scare Bear: Playing with Mucedorus". Ed. by Loomis, Catherine, Sid Ray and Ralph Alan Cohen. Shaping Shakespeare for Performance: The Bear Stage. {Falta nombre ciudad}: Fairleigh Dickinson UP--Rowman & Littlefield, 2006, p. 203-211.
- Peachman, John. "Links between Mucedorus and the Tragical History, Admirable Atchievments and various Events of Guy Earl of Warwick". Notes and Queries. 2006, vol. 4, 53, p. 464-467.
- Proudfoot, Richard. "'Modernizing' the Printed Play-Text in Jacobean London: Some Early Reprints of Mucedorus". Ed. Anderson, Linda, Janis Lull and David Haley. 'A Certain Text': Close Readings and Textual Studies on Shakespeare and Others. {Falta nombre ciudad}: U of Delaware P--Associated UP, 2002, p. 18-28.
- Finkelstein, Richard. "Censorhip and Forgiven Violence in Mucedorus". Parergon: Bulletin of the Australian and New Zealand Association for Medieval and Early Modern Studies. 1999, vol. 1, 17, p. 89-108.
- Pitcher, John. "'Fronted with the Sight of a Bear': Cox of Collumpton and the Winter's Tale". Notes and Queries. 1994, vol. 1, 41, p. 47-53.
- Dessen, Alan C. "Conceptual Casting in the Age of Shakespeare: Evidence from Mucedorus". Shakespeare Quarterly. 1992, vol. 1, 43, p. 67-70.
- Stodder, Joseph H. "Mucedorus and the Birth of Merlin at the Los Angeles Globe". Shakespeare Quarterly. 1990, vol. 3, 41, p. 368-372.
- Kreuzer, Paul G. "Mucedorus". Ed. Bowers, Fredson. Elizabethan Dramatists. {Falta nombre ciudad}: Gale, 1987, p. 373-383.
- Bond, David. "On Playing Musidors". Notes and Queries. 1986, vol. 4, 33, p. 469-471.
- Pinciss, G. M. "The Savage Man in Spenser, Shakespeare, and Renaissance English Drama". Ed. Hibbard, George R. The Elizabethan Theatre VIII. {Falta nombre ciudad}: Meany, 1982, p. 69-89.
- Thornberry, Richard T. "A Seventeenth-Century Revival of Mucedorus in London before 1610". Shakespeare Quarterly. 1977, vol. 3, 28, p. 362-364.
- {Falta autor libro}. Thoth: Syracuse University Graduate Studies in English. {Falta nombre ciudad}: {Falta nombre editorial}, 1976. Vol. 16.Mucedorus: A Comedy of Transformation.
- Corman, Brian. "'The Way of the World' and Morally Serious Comedy". University of Toronto Quarterly: A Canadian Journal of the Humanities. 1975, 44, p. 199-212.
- Jackson, MacD P. "Edward Archer's Ascription of Mucedorus to Shakespeare". Journal of the Australasian Universities Language and Literature Association: A Journal of Literary Criticism, Philology & Linguistics. 1964, 22, p. 233-248.
- Reynolds, George F. "Mucedorus, most Popular Elizabethan Play?". Ed. Bennett, Josephine W.. Studies in the English Renaissance Drama: In Memory of Karl Julius Holzknecht. {Falta nombre ciudad}: {Falta nombre editorial}, 1959, p. 248-268.
- Kirschbaum, Leo. "The Texts of 'Mucedorus". Modern Language Review. 1955, 50, p. 1-5.
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