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Testimonios
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- The Silent Woman. [The Silent Woman]. Jonson, Ben. A Q edition of this date was seen in the early 19th-century, but no copy is known to survive. The report may be an error. . 1612. 4º.
- Works. Jonson, Ben. Printed by William Stansby. .
- The Silent Woman. [The Silent Woman]. Jonson, Ben. Printed by William Stansby fo John Browne. . 1620. 4º.
- Works. . Printed by Richard Stansby for Andrew Crooke. 1640. 2º.
- Works. [Works]. Jonson, Ben. Printed by Thomas Hodgkin for Henry Herringman, Edward Brewster, Thomas Bassett, Richard Chiswell, Matthew Wotton and George Conyers. 1692. 2º.
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Ediciones modernas
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- Dutton, Richard, ed. Epicene, or The Silent Woman. Jonson, Ben. Manchester: Manchester University Press, 2003.
- Dutton, Richard, ed. Epicene, or The Silent Woman. Jonson, Ben. Manchester: Manchester University Press, 2003. The Revels Plays. Text editor for EMOTHE Digital Library: Soler Sánchez, Victoria. Also available at: https://emothe.uv.es/biblioteca/textosEMOTHE/EMOTHE0125_EpicoeneOrTheSilentWoman.php.
- Campbell, Gordon, ed. Volpone, or the fox ; Epicene, or the silent woman ; The alchemist ; Bartholomew fair. Jonson, Ben. Oxford: Clarendon Press, 1995.
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Representaciones antiguas
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- Company: Children of the Queen's Revels Venue: Whitefriars Date:
Cast: Location: Venue type: commercial theatre
Note: The cast included Richard Allen, Hugh Attwell, William Barksted, John Blaney, Gilbert Carey, Nathan Field, William Penn, John Smith. Jonson says that a poem was found on the stage after the performance commenting on the lack of applause. The play was suppressed, according to reports, after Lady Arabella Stuart took offence at an allusion to the self-proclaimed Prince of Moldavia.
Information source: Wiggins, Martin and Catherine Richardson. British Drama, 1533-1642: A Catalogue. 2015.
- Company: Venue: Cockpit Date: c. 1620
Cast: Location: Venue type: commercial theatre
Note: The play appears on a list apparently on the repertory of Prince Charles’ Men. The list was compiled at the Revels Office. It was being considered for performance at court.
Information source: Wiggins, Martin and Catherine Richardson. British Drama, 1533-1642: A Catalogue. 2015.
- Company: The King’s Men Venue: Blackfiars Date: 1636
Cast: Location: Venue type: commercial theatre
Note: The play was in repertory.
Information source: Wiggins, Martin and Catherine Richardson. British Drama, 1533-1642: A Catalogue. 2015.
- Company: The King’s Men Venue: St. James’s Palac Date: 1636
Cast: Location: Venue type: palace / court
Information source: Wiggins, Martin and Catherine Richardson. British Drama, 1533-1642: A Catalogue. 2015.
- Company: Venue: The Cockpit Date: 1636
Cast: Location: Venue type: commercial theatre
Note: The audience included King Charles I, Queen Henrietta Maria.
Information source: Wiggins, Martin and Catherine Richardson. British Drama, 1533-1642: A Catalogue. 2015.
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Bibliografía selecta
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Estudios críticos:- W. David Kay. "Epicoene, Lady Compton and the Gendering of Jonsonian Satire on Extravagance". BJJ. 1999, 6, p. 1-33.
- Roslyn L. Knutson. "Falconer to the Little Eyelasses: A New Date and Commercial Agenda for the “Little Eyases””". Shakespeare Quarterly. 1995, 46, p. 1-31.
- W. David Kay. Ben Jonson: A Literary Life. Basingstoke: Macmillan Press, 1995.
- Mario DiGangi. "Asses and Wits: the Homoerotics of Mastery in Satiric Comedy". ELR. 1995, 25, p. 179-208.
- Bruce Thomas Boehrer. "Epicoene, Charivari, Skimmington". English Studies. 1994, 75, p. 17-33.
- Martin Butler. "Jonson’s Folio and the Politics of Patronage". Criticism. 1993, 35, p. 377-90.
- Leeds Barroll. Politics, Plague, and Shakespeare’s Theater. London: {Falta nombre editorial}, 1991.
- Leo Salingar. "Farce and Fashion in the Silent Woman". Essays and Studies. 1990, 20, p. 29-46.
- Lorraine Helmes. "Roaring Girls and Silent Women: the Politics of Androgyny on the Jacobean Stage (Themes in Drama)". Ed. James Redmond. Women in the Theatre. Cambridge: Cambridge University Press, 1989, p. 59-73. Vol. 11.
- Philip Mirabelli. "Silence, Wit, and Wisdom in The Silent Woman". SEL. 1989, 29, p. 309-36.
- R. K. Ayers. "Dreams of the City: the Urban and the Urbane in Jonson’s Epicoene". PQ. 1987, 56, p. 73-86.
- Lawrence Danson. "Jonsonian Comedy and the Discovery of the Social Self". PMLA. 1984, 99, p. 179-93.
- Emrys Jones. "Proceedings of the British Academy". {Falta título revista}. 1982, 68, p. 215-58.
- Frances Teague. "Ben Jonson’s Stagecraft in Epicoene". RD. 1978, 9, p. 175-92.
- Barbara J. Baines and Mary C. Williams. "The Contemporary and Classical Antifeminist Tradition in Jonson’s Epicoene". Renaissance Papers. 1977, , p. 43-58.
- W. David Kay. "Urbane Gallants: Humanistic Contexts for Epicoene". Huntington Library Quarterly. 1976, 39, p. 251-66.
- Michael Shapiro. "Audience vs. Dramatists in Jonson’s Epicoene and Other Plays of the Children’s Troupes". ELR. 1973, 3, p. 400-17.
- John Ferns. "Ovid, Juvenal, and The Silent Woman: A Reconsideration". MLR. 1971, 65, p. 249-52.
- Ian Donaldson. The World Turned Upside Down: Comedy From Jonson to Fielding. Oxford: Clarendon Press, 1970.
- W. W. E. Slights. "Epicoene and the Prose Paradox". PQ. 1970, 49, p. 178-87.
- Mark A. Anderson. "The Successful Unity of Epicoene: a Defense of Ben Jonson". SEL. 1970, 10, p. 349-66.
- Scott McMillin. "Jonson’s Early Entertainments: New Information fom Hatfield House". RD. 1968, 1, p. 153-66.
- Jonash A. Barish. "Ovid, Juvenal and The Silent Woman". PMLA. 1956, 71, p. 214-24.
- Daniel C. Boughner. "The Genesis of Epicoene". NQ. 1948, 193, p. 55-6.
- Daniel C. Bughner. "Clizia and Epicoene". Philological Quarterly. 1940, 19, p. 89-91.
- Oscar James Campbell. "The Relation of Epicoene to Aretino’s Il Marescalo". PMLA. 1931, 46, p. 752-62.
Traducciones:- ES:
- Jonson, Ben. "La mujer silenciosa". Tra. Martínez Sierra, María. La mujer silenciosa / El demonio es un asno. Madrid: Asociación de Directores de Escena, 1999.
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