[2.2]
Flourish.
Enter King and Queen, Rosencrantz and Guildenstern
[with Attendants].
king
Welcome, dear Rosencrantz and Guildenstern.
Moreover that we much did long to see you,
The need we have to use you did provoke
Our hasty sending. Something have you heard
1025
Of Hamlet’s transformation, so FIF call it,
Sith nor th’exterior nor the inward man
Resembles that it was. What it should be
More than his father’s death, that thus hath put him
So much from th’understanding of himself
1030
I cannot dream of. I entreat you both
That, being of so young days brought up with him
And sith so neighboured to his youth and haviour,
That you vouchsafe your rest here in our court
Some little time, so by your companies
1035
To draw him on to pleasures and to gather
So much as from occasion you may glean,
Whether aught to us unknown afflicts him thus,
That opened lies within our remedy.
queen
Good gentlemen, he hath much talked of you,
And sure I am two men there is not living
1040
To whom he more adheres. If it will please you
To show us so much gentry and good will
As to expend your time with us a while
For the supply and profit of our hope,
Your visitation shall receive such thanks
1045
As fits a king’s remembrance.
Rosencrantz
Both your majesties
Might by the sovereign power you have of us
Put your dread pleasures more into command
Than to entreaty.
guildenstern
1050
But we both obey
And here give up ourselves in the full bent
To lay our service freely at your feet
To be commanded.
king
Thanks, Rosencrantz and gentle Guildenstern.
queen
1055
Thanks, Guildenstern and gentle Rosencrantz.
And I beseech you instantly to visit
My too much changèd son. —
Go some of you
And bring these gentlemen where Hamlet is.
guildenstern
1060
Heavens make our presence and our practices
Pleasant and helpful to him.
Exeunt Rosencrantz and Guildenstern [and one or more Attendants].
Enter Polonius.
polonius
Th’ambassadors from Norway, my good lord,
1065
Are joyfully returned.
king
Thou still hast been the father of good news.
polonius
Have I, my lord? I assure my good liege
I hold my duty as I hold my soul,
Both to my God, and to my gracious King;
1070
And I do think, or else this brain of mine
Hunts not the trail of policy so sure
As it hath used to do, that I have found
The very cause of Hamlet’s lunacy.
king
Oh, speak of that, that do I long to hear.
polonius
1075
Give first admittance to th’ambassadors.
My news shall be the fruit to that great feast.
king
Thyself do grace to them and bring them in.
[Polonius goes to the door.]
He tells me, my dear Gertrude, FthatF he hath found
The head and source of all your son’s distemper.
queen
1080
I doubt it is no other but the main:
His father’s death and our hasty marriage.
Enter Ambassadors [Voltemand and Cornelius].
king
Well, we shall sift him. — Welcome, my good friends.
Say, Voltemand, what from our brother Norway?
voltemand
1085
Most fair return of greetings and desires.
Upon our first, he sent out to suppress
His nephew’s levies, which to him appeared
To be a preparation ’gainst the Polack;
But, better looked into, he truly found
1090
It was against your highness. Whereat, grieved
That so his sickness, age and impotence
Was falsely borne in hand, sends out arrests
On Fortinbras, which he in brief obeys,
Receives rebuke from Norway and, in fine,
1095
Makes vow before his uncle never more
To give th’assay of arms against your majesty.
Whereon old Norway, overcome with joy,
Gives him threescore thousand crowns in anual fee
And his commission to employ those soldiers
1100
So levied (as before) against the Polack,
With an entreaty, herein further shown,
That it might please you to give quiet pass
Through your dominions for this enterprise
On such regards of safety and allowance
1105
As therein are set down.
king
It likes us well,
And at our more considered time we’ll read,
Answer and think upon this business.
Meantime, we thank you for your well-took labour.
1110
Go to your rest, at night we’ll feast together.
Most welcome home.
Exeunt Ambassadors [Voltemand and Cornelius].
polonius
This business is FveryF well ended.
My liege and madam, to expostulate
What majesty should be, what duty is,
1115
Why day is day, night night, and time is time,
Were nothing but to waste night, day and time.
Therefore, since brevity is the soul of wit
And tediousness the limbs and outward flourishes.
I will be brief: your noble son is mad.
1120
Mad call I it, for to define true madness,
What is’t but to be nothing else but mad?
But let that go.
queen
More matter with less art.
polonius
Madam, I swear I use no art at all.
1125
That he’s mad ’tis true, ’tis true ’tis pity,
And pity ’tis ’tis true — a foolish figure,
But farewell it, for I will use no art.
Mad let us grant him then, and now remains
That we find out the cause of this effect,
1130
Or rather say the cause of this defect,
For this effect defective comes by cause.
Thus it remains, and the remainder thus.
Perpend.
I have a daughter — have while she is mine —
Who in her duty and obedience, mark,
1135
Hath given me this. Now gather and surmise.
[Reads the letter.]
“To the celestial and my soul’s idol, the most beautified
Ophelia” —
That’s an ill phrase, a vile phrase, “beautified” is a vile
phrase, but you shall hear: “thus in her excellent white
bosom, these —” etc.
queen
Came this from Hamlet to her?
polonius
Good madam, stay awhile. I will be faithful.
[Reads the] letter.
“Doubt thou the stars are fire,
1145
Doubt that the sun doth move,
Doubt truth to be a liar,
But never doubt I love.
O dear Ophelia, I am ill at these numbers. I have not art to
reckon my groans, but that I love thee best — oh, most best — believe
it. Adieu.
Thine evermore, most dear lady, whilst this
machine is to him, Hamlet.”
ErrorMetrica
This in obedience hath my daughter shown me;
And more above hath his solicitings,
1155
As they fell out, by time, by means, and place,
All given to mine ear.
king
But how hath she received his love?
king
As of a man faithful and honourable.
polonius
1160
I would fain prove so. But what might you think
When I had seen this hot love on the wing
(As I perceived it, I must tell you that,
Before my daughter told me), what might you,
Or my dear majesty your Queen here, think
1165
If I had played the desk or table-book,
Or given my heart a working mute and dumb,
Or looked upon this love with idle sight,
What might you think? No, I went round to work
And my young mistress thus I did bespeak:
1170
“Lord Hamlet is a prince out of thy star.
This must not be.” And then I prescripts gave her
That she should lock herself from his resort,
Admit no messengers, receive no tokens;
Which done, she took the fruits of my advice,
1175
And he, repellèd, a short tale to make,
Fell into a sadness, then into a fast,
Thence to a watch, thence into a weakness,
Thence to a lightness, and by this declension
Into the madness wherein now he raves
1180
And all we mourn for.
king
Do you think F’tisF this?
polonius
Hath there been such a time — I would fain know that —
That I have positively said ’tis so
1185
When it proved otherwise?
polonius
Take this from this if this be otherwise.
If circumstances lead me, I will find
Where truth is hid, though it were hid indeed
1190
Within the centre.
king
How may we try it further?
polonius
You know sometimes
he walks four hours together
Here
in the lobby.
polonius
At such a time I’ll loose my daughter to him.
Be you and I behind an arras then,
Mark the encounter: if he love her not
And be not from his reason fall’n thereon,
1200
Let me be no assistant for a state
But keep a farm and carters.
Enter Hamlet [reading on a book].
queen
But look where sadly the poor wretch
comes reading.
polonius
Away, I do beseech you both, away.
I’ll board him presently.
Oh, give me leave.
Exeunt King and Queen [and Attendants].
How does my good lord Hamlet?
hamlet
Well, God’a’mercy.
polonius
Do you know me, my lord?
hamlet
ExcellentF, excellentF well, you are a fishmonger.
hamlet
Then I would you were so honest a man.
polonius
Honest, my lord?
hamlet
Ay, sir, to be honest as this world goes, is to be
one man picked out of ten thousand.
polonius
That’s very true, my lord.
hamlet
For if the sun breed maggots in a dead dog,
being a good kissing carrion —
Have you a daughter?
polonius
I have, my lord.
hamlet
Let her not walk i’th’sun: conception is a
blessing, but FnotF as your daughter may conceive, friend,
look to’t.
polonius
[Aside] How say you by that? Still harping on my daughter.
Yet he knew me not at first, ’a said I was a fishmonger.
’A is far gone, Ffar gone,F and truly in my youth
I suffered much extremity for love, very near this. I’ll
speak to him again. — What do you read, my lord?
hamlet
Words, words, words.
polonius
What is the matter, my lord?
polonius
I mean the matter that you read, my lord.
hamlet
Slanders, sir; for the satirical rogue says here
that old men have grey beards, that their faces are wrinkled,
their eyes purging thick amber and plumtree
gum, and that they have a plentiful lack of wit,
together with most weak hams; all which, sir, though I
most powerfully and potently believe, yet I hold it
not honesty to have it thus set down. For FyouF yourself,
sir, shall grow old as I am: if like a crab you could
go backward.
polonius
[Aside] Though this be madness
yet there is method in’t. — Will you walk
out of the air, my lord?
polonius
Indeed, that’s out of the air.
[Aside] How pregnant sometimes his replies are!
A happiness
that often madness hits on,
which reason and sanity could not
so prosperously be delivered of.
I will leave him
and suddenly contrive the means of meeting
between him, and my daughter. —
My FhonourableF lord, I will Fmost humblyF
take my leave of you.
hamlet
You cannotF, sir,F take from me anything that I
will not more willingly part withal, except my life, except my
life, except my life.
polonius
Fare you well, my lord.
hamlet
These tedious old fools.
Enter Guildenstern and Rosencrantz.
polonius
You go to seek the Lord Hamlet? There
he is.
rosencrantz
[To Polonius] God save you, sir.
[Exit Polonius.]
guildenstern
My honoured lord.
rosencrantz
My most dear lord.
hamlet
My excellent good friends. How dost thou,
Guildenstern? Ah, Rosencrantz! Good lads, how do you
both?
rosencrantz
As the indifferent children of the earth.
guildenstern
Happy, in that we are not over-happy: on Fortune’s
cap we are not the very button.
hamlet
Nor the soles of her shoe.
rosencrantz
Neither, my lord.
hamlet
Then you live about her waist, or in the middle
of her favours.
guildenstern
Faith, her privates we.
hamlet
In the secret parts of Fortune — Oh, most true,
she is a strumpet. What
V
X
-
Q2 What
-
F1 What’s the
news?
rosencrantz
None, my lord, but
V FthatF the world’s grown
honest.
hamlet
Then is doomsday near. But your news is
not true.
V
X
-
Q2 true.
-
F1 true. Let me question more in particular: what haue / you my good friends, deserued
at the hands of Fortune, / that she sends you to Prison hither? /
Guil. Prison, my Lord? /
Ham. Denmark's a Prison. /
Rosin. Then is the World one. /
Ham. A goodly one, in which there are many Con- / fines, Wards, and Dungeons;
Denmarke being one o'th' / worst. /
Rosin. We thinke not so my Lord. /
Ham. Why then 'tis none to you; for there is nothing / either good or bad, but thinking
makes it so: to me it is / a prison. /
Rosin. Why then your Ambition makes it one: 'tis / too narrow for your minde. /
Ham. O God, I could be bounded in a nutshell, and / count my selfe a King of infinite
space; were it not that / I haue bad dreames. /
Guil. Which dreames indeed are Ambition: for the / very substance of the Ambitious, is
meerely the shadow / of a Dreame. /
Ham. A dreame it selfe is but a shadow. /
Rosin. Truely, and I hold Ambition of so ayry and / light a quality, that it is but a shadowes
shadow. /
Ham. Then are our Beggers bodies; and our Mo- / narchs and out-stretcht Heroes the Beggers
Shadowes: / shall wee to th'Court: for, by my fey I cannot rea- / son? /
Both. Wee'l wait vpon you. /
Ham. No such matter. I will not sort you with the / rest of my seruants: for to speake
to you like an honest / man: I am most dreadfully attended;
FLet me question more in particular: what have
you, my good friends, deserved at the hands of Fortune
that she sends you to prison hither?
guildenstern
Prison, my lord?
hamlet
Denmark’s a prison.
rosencrantz
Then is the world one.
hamlet
A goodly one, in which there are many confines,
wards and dungeons, Denmark being one o’th’
worst.
rosencrantz
We think not so, my lord.
hamlet
Why, then ’tis none to you; for there is nothing
either good or bad, but thinking makes it so. To me it is
a prison.
rosencrantz
Why, then your ambition makes it one: ’tis
too narrow for your mind.
hamlet
O God, I could be bounded in a nutshell and
count myself a king of infinite space, were it not that
I have bad dreams.
guildenstern
Which dreams indeed are ambition: for the
very substance of the ambitious is merely the shadow
of a dream.
hamlet
A dream itself is but a shadow.
rosencrantz
Truly, and I hold ambition of so airy and
light a quality that it is but a shadow’s shadow.
hamlet
Then are our beggars bodies, and our monarchs
and outstretched heroes the beggars’ shadows.
Shall we to th’court? for, by my fay, I cannot reason.
rosencrantz, guildenstern
We’ll wait upon you.
hamlet
No such matter. I will not sort you with
the rest of my servants; for, to speak to you like an honest
man, I am most dreadfully attended.F But, in the beaten
way of friendship, what make you at Elsinore?
rosencrantz
To visit you, my lord, no other occasion.
hamlet
Beggar that I am, I am ever
V
X
-
Q2 ever
-
F1 euen
(mod. “even”)
poor in thanks,
but I thank you, and sure, dear friends, my thanks
are too dear a halfpenny. Were you not sent for? Is it
your own inclining? Is it a free visitation? Come, come,
deal justly with me. Come, come, nay, speak.
guildenstern
What should we say, my lord?
hamlet
FWhy!F Anything but to th’purpose. You were
sent for, and there is a kind of confession in your looks,
which your modesties have not craft enough to colour.
I know the good King and Queen have sent for you.
rosencrantz
To what end, my lord?
hamlet
That you must teach me. But let me conjure
you, by the rights of our fellowship, by the consonancy of
our youth, by the obligation of our ever-preserved love,
and by what more dear a better proposer can charge
you withal, be even and direct with me whether you
were sent for or no.
rosencrantz
What say you?
hamlet
Nay then, I have an eye of you! If you love me,
hold not off.
guildenstern
My lord, we were sent for.
hamlet
I will tell you why, so shall my anticipation
prevent your discovery, and your secrecy to the King and
Queen moult no feather. I have of late, but wherefore
I know not, lost all my mirth, forgone all custom of exercises;
and indeed it goes so heavily with my disposition
that this goodly frame the earth seems to me a sterile
promontory, this most excellent canopy the air,
look you, this brave o’erhanging firmament, this majestical roof
fretted with golden fire, why, it appeareth nothing
to me but a foul and pestilent congregation of vapors.
What FaF piece of work is a man: how noble in
reason, how infinite in faculties, in form and moving,
how express and admirable in action, how like an angel
in apprehension, how like a god; the beauty of the
world; the paragon of animals. And yet to me, what is
this quintessence of dust? Man delights not me, Fno,F
nor women neither, though by your smiling you seem
to say so.
rosencrantz
My lord, there was no such stuff in my
thoughts.
hamlet
Why did ye laugh then when I said “man delights
not me”?
rosencrantz
To think, my lord, if you delight not in man,
what Lenten entertainment the players shall receive
from you. We coted them on the way, and hither are
they coming to offer you service.
hamlet
He that plays the King shall be welcome (his
majesty shall have tribute on me), the Adventurous
Knight shall use his foil and target, the Lover shall
not sigh gratis, the Humorous Man shall end his part in
peace, Fthe Clown shall make those laugh whose lungs
are tickled o’th’sear,F and the Lady shall say her mind
freely — or the blank verse shall halt for’t. What players
are they?
rosencrantz
Even those you were wont to take such delight in,
the tragedians of the city.
hamlet
How chances it they travel? Their residence
both in reputation and profit was better both
ways.
rosencrantz
I think their inhibition comes by the means
of the late innovation.
hamlet
Do they hold the same estimation they did
when I was in the city? Are they so followed?
rosencrantz
No, indeed are they not.
Fhamlet
How comes it? Do they grow rusty?
rosencrantz
Nay, their endeavour keeps in the wonted
pace. But there is, sir, an eyrie of children, little
eyases, that cry out on the top of question and
are most tyrannically clapped for’t. These are now the
fashion, and so berattle the common stages (so they
call them) that many wearing rapiers are afraid of
goose-quills and dare scarce come thither.
hamlet
What, are they children? Who maintains ’em?
How are they escotted? Will they pursue the quality no
longer than they can sing? Will they not say afterwards
if they should grow themselves to common players (as
it is most like if their means are no better) their writers
do them wrong to make them exclaim against their
own succession?
rosencrantz
Faith, there has been much to-do on both sides,
and the nation holds it no sin to tar them to controversy.
There was for a while no money bid for argument
unless the poet and the player went to cuffs in
the question.
guildenstern
Oh, there has been much throwing about of
brains.
hamlet
Do the boys carry it away?
rosencrantz
Ay, that they do, my lord, Hercules and his load too.F
hamlet
It is not very strange, for my uncle is King of
Denmark, and those that would make mouths at him
while my father lived, give twenty, forty, fifty, a hundred
ducats apiece for his picture in little. ’Sblood, there is something
in this more than natural, if philosophy could
find it out.
A flourish.
guildenstern
There are the players.
hamlet
Gentlemen, you are welcome to Elsinore. Your
hands, come then: th’appurtenance of welcome is fashion
and ceremony. Let me comply with you in this garb
lest my extent to the players, which I tell you must show
fairly outwards, should more appear like entertainment
than yours. You are welcome. But my uncle-father
and aunt-mother are deceived.
guildenstern
In what, my dear lord?
hamlet
I am but mad north-north-west. When the
wind is southerly I know a hawk from a handsaw.
Enter Polonius.
polonius
Well be with you, gentlemen.
hamlet
Hark you, Guildenstern, and you too, at each
ear a hearer: that great baby you see there is not yet
out of his swaddling-clouts.
rosencrantz
Happily he is the second time come to them, for
they say an old man is twice a child.
hamlet
I will prophesy he comes to tell me of the
players. Mark it. — You say right, sir, FforF o’Monday morning,
’twas then indeed.
polonius
My lord, I have news to tell you.
hamlet
My lord, I have news to tell you:
when Roscius was an actor in Rome —
polonius
The actors are come hither, my lord.
hamlet
Then came each actor on his ass.
polonius
The best actors in the world, either for tragedy,
comedy, history, pastoral, pastoral-comical,
historical-pastoral, Ftragical-historical, tragical-
comical-historical-pastoral,F scene individable, or poem
unlimited; Seneca cannot be too heavy nor Plautus
too light. For the law of writ and the liberty, these are
the only men.
hamlet
O Jephthah, judge of Israel, what a treasure hadst
thou?
polonius
What a treasure had he, my lord?
hamlet
Why,
ErrorMetrica
“One fair daughter and no more,
1455
The which he loved passing well.”
polonius
[Aside] Still on my daughter.
hamlet
Am I not i’th’right, old Jephthah?
polonius
If you call me Jephthah, my lord, I have a daughter
that I love passing well.
hamlet
Nay, that follows not.
polonius
What follows then, my lord?
hamlet
Why,
ErrorMetrica
“As by lot, God wot”,
and then, you know,
“It
came to pass,
as most like it was.”
The first row of the
pious chanson will show you more, for look where my
abridgment comes.
Enter the Players.
You are welcome, masters, welcome all. — I am glad to see
thee well. — Welcome, good friends. — Oh, FmyF old friend,
why, thy face is valanced since I saw thee last. Com’st thou to
beard me in Denmark? What, my young lady and mistress!
By’ Lady, your ladyship is nearer to heaven than when
I saw you last by the altitude of a chopine. Pray God
your voice, like a piece of uncurrent gold, be not cracked
within the ring. — Masters, you are all welcome. We’ll e’en
to’t like French falc’ners, fly at anything we see. We’ll
have a speech straight. Come, give us a taste of your quality,
come, a passionate speech.
1 player
What speech, my good lord?
hamlet
I heard thee speak me a speech once, but it was
never acted, or, if it was, not above once, for the play, I
remember, pleased not the million, ’twas caviary to the
general. But it was (as I received it, and others whose
judgements in such matters cried in the top of mine) an
excellent play, well digested in the scenes, set down
with as much modesty as cunning. I remember one said
there were no sallets in the lines to make the matter savory,
nor no matter in the phrase that might indict the
author of affection, but called it an honest method, as
wholesome as sweet, and by very much, more handsome than fine. One
speech in’t I chiefly loved: ’twas Aeneas’ talk
to Dido, and there about of it especially when he speaks
of Priam’s slaughter. If it live in your memory, begin at
this line — let me see, let me see:
ErrorMetrica
“The rugged Pyrrhus, like
th’Hyrcanian beast —”
’Tis not so, it begins with Pyrrhus:
ErrorMetrica
“The rugged Pyrrhus, he whose sable arms,
1495
Black as his purpose, did the night resemble
When he lay couchèd in th’ominous horse,
Hath now this dread and black complexion smeared
With heraldry more dismal, head to foot.
Now is he total gules, horridly tricked
1500
With blood of fathers, mothers, daughters, sons,
Baked and impasted with the parching streets
That lend a tyrannous and a damnèd light
To their lord’s murder; roasted in wrath and fire,
And thus o’ersizèd with coagulate gore,
1505
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks.” —
So proceed you.
polonius
’Fore God, my lord, well spoken, with good accent
and good discretion.
1 player
“Anon he finds him,
1510
Striking too short at Greeks. His antique sword,
Rebellious to his arm, lies where it falls,
Repugnant to command. Unequal matched,
Pyrrhus at Priam drives, in rage strikes wide,
But with the whiff and wind of his fell sword
1515
Th’unnervèd father falls. Then senseless Ilium,
Seeming to feel this blow, with flaming top
Stoops to his base and with a hideous crash
Takes prisoner Pyrrhus’ ear. For, lo, his sword,
Which was declining on the milky head
1520
Of reverend Priam, seemed i’th’air to stick.
So, as a painted tyrant, Pyrrhus stood
And, like a neutral to his will and matter,
Did nothing.
But as we often see against some storm
A silence in the heavens, the rack stand still,
1525
The bold winds speechless and the orb below
As hush as death, anon the dreadful thunder
Doth rend the region, so after Pyrrhus’ pause
A rousèd vengeance sets him new a-work,
And never did the Cyclops’ hammers fall
1530
On Mars’s armour, forged for proof eterne,
With less remorse than Pyrrhus’ bleeding sword
Now falls on Priam.
Out, out, thou strumpet Fortune! All you gods
In general synod take away her power,
1535
Break all the spokes and fellies from her wheel
And bowl the round nave down the hill of heaven
As low as to the fiends.”
polonius
This is too long.
hamlet
It shall to the barber’s with your beard. Prithee,
say on, he’s for a jig or a tale of bawdry, or he
sleeps. Say on, come to Hecuba.
1 Player
“But who — ah, woe — had seen the mobled queen” —
hamlet
“The mobled queen.”
polonius
That’s good. F“Mobled queen” is good.F
1 player
— “Run barefoot up and down,
threat’ning the flames
With bisson rheum, a clout upon that head
Where late the diadem stood and, for a robe,
About her lank and all-o’erteemèd loins,
1550
A blanket in the alarm of fear caught up.
Who this had seen, with tongue in venom steeped,
’Gainst Fortune’s state would treason have pronounced.
But if the gods themselves did see her then,
When she saw Pyrrhus make malicious sport
1555
In mincing with his sword her husband’s limbs,
The instant burst of clamour that she made
(Unless things mortal move them not at all)
Would have made milch the burning eyes of heaven
And passion in the gods.”
polonius
Look whe’er he has not turned his colour and
has tears in’s eyes. — Prithee, no more.
hamlet
’Tis well. I’ll have thee speak out the rest of this
soon. — Good my lord, will you see the players well bestowed?
Do you hear, let them be well used, for they are
the abstract and brief chronicles of the time; after
your death you were better have a bad epitaph than
their ill report while you live.
polonius
My lord, I will use them according to their desert.
hamlet
God’s bodkin, man, much better. Use every man
after his desert, and who shall scape whipping? Use
them after your own honour and dignity: the less they
deserve the more merit is in your bounty. Take them
in.
hamlet
Follow him, friends. We’ll hear a play tomorrow.
— Dost thou hear me, old friend? Can you play
The Murder of Gonzago?
hamlet
We’ll ha’t tomorrow night. You could for need
study a speech of some dozen lines, or sixteen lines, which
I would set down and insert in’t, could you not?
hamlet
Very well. Follow that lord, and look you
mock him not. — My good friends, I’ll leave you till night.
You are welcome to Elsinore.
Exeunt Polonius and Players.
rosencrantz
Good my lord.
Exeunt [all but Hamlet].
hamlet
Ay, so, God-bye to you. Now I am alone.
1590
Oh, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That from her working, all the visage wanned,
1595
Tears in his eyes, distraction in his aspect,
A broken voice, an’ his whole function suiting
With forms to his conceit? And all for nothing.
For Hecuba.
What’s Hecuba to him, or he to her,
1600
That he should weep for her? What would he do
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appal the free,
1605
Confound the ignorant and amaze indeed
The very faculties of eyes and ears. Yet I,
A dull and muddy-mettled rascal, peak
Like John-a-dreams, unpregnant of my cause,
And can say nothing — no, not for a king,
1610
Upon whose property and most dear life
A damned defeat was made. Am I a coward?
Who calls me villain, breaks my pate across,
Plucks off my beard and blows it in my face,
Tweaks me by the nose, gives me the lie i’th’throat
1615
As deep as to the lungs? Who does me this?
Ha! ’Swounds, I should take it; for it cannot be
But I am pigeon-livered and lack gall
To make oppression bitter, or ere this
I should ’a’ fatted all the region kites
1620
With this slave’s offal. Bloody, bawdy villain —
Remorseless, treacherous, lecherous, kindless villain!
FOh, vengeance!F
Why, what an ass am I: Fay, sure,F this is most brave,
That I, the son of a dear murderèd,
1625
Prompted to my revenge by heaven and hell,
Must like a whore unpack my heart with words
And fall a-cursing like a very drab,
A stallion. Fie upon’t, foh!
About, my brains! Hum, I have heard,
That guilty creatures sitting at a play
1630
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaimed their malefactions.
For murder, though it have no tongue, will speak
With most miraculous organ. I’ll have these players
1635
Play something like the murder of my father
Before mine uncle. I’ll observe his looks.
I’ll tent him to the quick. If ’a do blench,
I know my course. The spirit that I have seen
May be a de’il, and the de’il hath power
1640
T’assume a pleasing shape, yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me. I’ll have grounds
More relative than this. The play’s the thing
1645
Wherein I’ll catch the conscience of the King.
Exit.